Bursa Great Mosque
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Bursa Great Mosque |
The Ulucami of Bursa was begun in 1396 during
the reign of Bayazid I, and completed in 1399. It is a large rectangular
building with the dimensions of 68 m. by 56 m. Twelve square piers
divide the interior into twenty equal units, each of which is surmounted
by a dome. The second dome from the main portal in the centml row
is open on top. The unit below it has a pool in the centre. Its
floor is finished with white marble slabs and is tower by two steps
than the tloor of the prayer section. This part resembles an interior
court. The domes of the Ulucami rest on pendentives and are enveloped
on the exterior by octagonal drums. The centre row on the north-south
axis has the highest domes; the hvo side rows diminish in height
in two stages. The Ulucami of Bursa does not have a porch.
Bursa Hudavendigar Mosque
Murad I commissioned this mosque in 1365, which
was completed in 1385. Hudavendigar Mosque is a typical Bursa type
or inverted 'T' type of mosque with three iwans facing an inner
court with a pool. This latter section is enclosed by a dome with
oculus leaning on pendentives. The iwans and the six small rooms
(hospices?) flanking them at the corners are all barrel vaulted.
The main iwan which is raised from the ground and larger and higher
than the other iwans, was used as a prayer hall. The inner court
on the other hand was a kind of circulation area between the rooms
and iwans. There is a five-bay porch on the entrance section that
leads to a vestibule before the court.
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Hudavendigar Mosque |
This mosque is in fact a two-story building
that comprises a madrasa on the upper level. It is like a Seljukid
madrasa reversed. In Seljukid madrasas, a small masjid is usually
placed in a square domed room adjacent to the entrance vestibule
(compare with Gok Madrasa in Sivas). The masjid is here shifted
to a more dominant place in such a way that the madrasa on the second
floor is subordinated to the prayer hall. We can explain this displacement
through ideological and social transformations occured in the early
Ottoman world, which probably placed 'mosque' before institutions
of learning. This application will later become a standard for building
complexes in Istanbul, in which the monumental mosque dominates
all surrounding structures.
The facade of the gallery above the porch is unique with its composition
of pointed double arches framed in mouldings. There is a cornice
of blind-arches on top of the facade instead of the ordinary saw-tooths.
This facade has an air of a building with Gothic flavor in Greek
islands, whose features can also be discerned in the architecture
of some Turkish principalities that flourished in the fourteenth
century, in western Anatolia (Menteseogullari is one of them). In
addition to this, columns and their capitals and marble doorjambs
are of Byzantine materails reused in this facade. Hence a certain
Western influence is apparent on the exterior of the Hudavendigar
Mosque.
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